In January 2013, series co-creator Ryan Murphy hinted that a clue about the third season would be hidden in the tenth episode of the second season.[15] In a later interview discussing that episode, he stated, "I sorta feel like for the third version I want to do something that's a little bit more 'evil glamour.' Just something that's a little bit more...one of the things that I missed this season was I really loved having that Romeo and Juliet youth story with Violet and Tate [from the first season]. I want something like that again, and we're doing something like that in the third season. And we're contemplating shooting the show in a different place. We're contemplating shooting it in a place in the country where true horror has been."[16] In another interview, Murphy added that the season would be set in the modern-day.[17]
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Wearing a loose-knotted black sweater that revealed his carved torso beneath, the pianist, singer and songwriter known as Perfume Genius sat before a whisper-quiet sold-out crowd at the Roxy in West Hollywood and tried to explain the raw, full-throated wail he'd just unleashed. Dubbing it his "general horror movie scream," the artist born Mike Hadreas had just poured forth during "Grid," a highlight from his new album, "Too Bright," and devastating as performed live in a room with so much history. It was a harrowing cry amid a remarkable set, delivered from the thin membrane that separates singing and raging, a place expertly inhabited by artists including Jeff Buckley and his father, Tim, Fiona Apple and the Cocteau Twins' Elizabeth Fraser. A realm that straddles an egoless display of creative emotion and uncontrollable onstage breakdown. (Randall Roberts) Read more
Mario Bava is one of the most colorful filmmakers in horror history, blasting his films with dazzling tones whenever it pleased him. But in his first outing behind the camera, it pleased him to make one of the most sumptuous black-and-white horror movies ever produced: Black Sunday, a tale of witchcraft and vampirism.
Technically a sequel, this second installment in the South Korean Whispering Corridors series is probably the most well-known of the movies, none of which share characters or connected storylines. Memento Mori is a classically surreal, stylish, and eerily beautiful ghost story of the modern, Eastern horror film tradition, made more notorious at the time of its release by its depiction of teenage lesbian romance (almost unheard of for a commercial film in the culturally conservative nation). It tells the tale of star-crossed couple Hyo-Shin (Yeh-Jin Park) and Shi-Eun (Yeong-Jin Lee), students at an all-girl high school, through the eyes of fellow student Soh Min-ah (Gyu-ri Kim), who discovers their shared diary. Hyo-Shin commits suicide after bullying from their peers causes Shi-Eun to leave her, and soon the school is terrorized by escalating paranormal chaos. 2ff7e9595c
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